EB1 (USCIS), Leonardo dos Santos Camarte, 3147

Form G-1450 in the amount of $715 towards I-140 filing fee

Form G-1450 in the amount of $300 towards Asylum Program fee

Petition Cover Sheet

Form, G-1145, e-Notification of Application/Petition Acceptance

Form G-28: Notice of Entry of Appearance as Attorney or Accredited Representative

Form I-140, Petition for Alien Worker

Cover letter

A.1. Petitioner’s self-statement

A.2. Petitioner’s updated resume

B.1. Certificate titled “Certificate of Best National Film — Popular Vote” issued by the FICC Film Festival, certifying the film “Ponho a Mão no Fogo” as the Best National Film in the Best Feature Film category; dated Nov. 15, 2016, Rio de Janeiro; signed by Veronica Brendler, Director, demonstrating that Mr. Camarte was one of the recipients of the award

B.2.a. Photograph of the FICC trophy statuette bearing the “FICC” mark

B.2.b. Photograph of Mr. Camarte holding the FICC certificate and trophy at the awards backdrop

B.2.c. Photograph of the awarded team being interviewed on the event red carpet/backdrop, including Mr. Camarte among the team members

B.3. FICC, IX Festival de Cinema FICC, Regulamento Geral para Inscrição de Filmes (official rules outlining categories, curatorial review by audiovisual professionals, technical evaluation criteria, and sovereign decision of the curators; reflecting an international competition awarding excellence), Agenda Cultural Brasil, directed by Veronica Brendler; undated PDF (ninth edition; site listed as www.festivaldecinemaficc.com); PDF copy, demonstrating that the award is an internationally recognized award granted for excellence in the field as judged by experts

B.4. Letter from André Amado Rodrigues, Director of Photography and Executive Producer, 2 Amados Serviços de Fotografia Ltda., (July 20, 2025), attesting that Mr. Leonardo dos Santos Camarte served as Director of Photography on “Ponho a Mão no Fogo,” which won multiple awards, thereby demonstrating that Mr. Camarte was a winner of a nationally or internationally recognized award as part of a team award

C.1. “Os Dez Mandamentos — O Filme (2016) — Full Cast & Crew” (industry credits compilation), identifying Mr. Leonardo dos Santos Camarte among credited production personnel for the feature film thereby documenting that the publicly displayed work is Mr. Camarte’s own work product

C.2. “Leonardo dos Santos Camarte — IMDb” (professional filmography profile), corroborating Mr. Camarte’s credited participation on “Os Dez Mandamentos — O Filme” and related audiovisual productions, further evidencing authorship/creative contribution tied to the publicly exhibited work

C.3. “Os Dez Mandamentos — O Filme — Full Cast & Crew — TV Guide” (industry credits listing), independently confirming Mr. Camarte’s role in the production and aligning his professional contribution with the motion picture that was publicly exhibited

C.4. Market Report — Theatrical Distribution (Annual Report 2016) (Agência Nacional do Cinema – ANCINE; Brazilian Observatory of Cinema and Audiovisual – OCA; published July 24, 2017), establishing that “Os Dez Mandamentos — O Filme” was publicly exhibited in recognized commercial cinemas throughout Brazil during the 2016 exhibition year, as recorded in ANCINE’s official SADIS system, thus evidencing exhibition of the artistic work in venues devoted to artistic display of motion pictures

C.5. ANCINE Consolidated Tables — 2016 Rankings and Screen Count (Superintendência de Análise de Mercado/ANCINE), confirming the film’s commercial theatrical release and breadth of public exhibition (including its opening on 1,127 screens), demonstrating that the venues were standard theatrical cinemas

C.6. Brazilian Audiovisual Statistical Yearbook 2024 (ANCINE/OCA) — “Distribution” and historical rankings (2015–2024), corroborating “Os Dez Mandamentos — O Filme” as a theatrically released motion picture within ANCINE’s national catalogue and documenting its presence in recognized cinema circuits, thereby affirming public artistic exhibition/showcase status

C.7. “Os Dez Mandamentos — O Filme — Box Office Mojo” (exhibition tracking entry), reflecting release status, territory, and theatrical run details customary for motion-picture exhibitions, further evidencing that the work was publicly exhibited via commercial theatrical venues devoted to artistic display of films

C.8. Official film poster for “Ponho a Mão no Fogo” (image file), displaying production credits at the bottom line and identifying “Leonardo dos Santos Camarte” among the credited crew, thereby evidencing that the work publicly displayed is Mr. Camarte’s own work product

C.9. Photo of promotional display with the “Ponho a Mão no Fogo” poster (image file), showing the poster in an exhibition setting with film-branded attire, corroborating the association of Mr. Camarte’s credited work to the publicly presented motion picture materials

C.10. Google Play title page for “Ponho a Mão no Fogo” (PDF capture), documenting commercial availability and streaming exhibition of the feature film to the public in recognized online distribution venues, evidencing public artistic exhibition in a virtual showcase

C.11. “Special screening of the film “Ponho a Mao no Fogo”for the entire cast — InFoco Magazine” (PDF article), reporting a curated screening of the film to attendees, confirming public exhibition/showcase of the artistic work in a venue devoted to the presentation of motion pictures

D.1. TV Record employer letter for Mr. Leonardo dos Santos Camarte (translation attached), on company letterhead and signed by the Technical Operations Director, attesting that Mr. Camarte served as Gaffer and Director of Photography (2006– 2018) with duties including coordination of technical teams and development/execution of lighting design for flagship soap operas, miniseries, and specials, and expressly concluding that his performance was “fundamental and critical to the network” and evidencing “strong leadership ability” in large-scale productions

D.2. Mr. Camarte’s professional résumé detailing senior technical and creative roles in lighting direction and team supervision across high-visibility television and film productions, corroborating the scope of leadership responsibilities described by the employer.

D.3. Additional corroborative industry credits listings (e.g., feature film and television credits reflected in prior Exhibits C.1–C.3 and C.8–C.11), tying Mr. Camarte’s credited production roles to widely released works and confirming his entrusted functions on major productions

D.4. Letter from Gustavo Dannemann, CEO of Gringa Filmes and Director of Photography, dated July 24, 2025, corroborating that Mr. Camarte held essential roles at Record TV, including promotion from Gaffer to Director of Photography and leadership on major series such as “Os Dez Mandamentos,” “Apocalipse,” “Gênesis,” and “Reis”, thereby demonstrating Mr. Camarte’s critical role for TV Record

D.5. “About — Record Network” (corporate profile), describing TV Record (Rede Record) as one of Brazil’s principal national television networks with nationwide reach and a portfolio of high-profile scripted programs, evidencing organizational scale, prominence, and industry stature

D.6. PwC case study, “Brazil’s RecordTV network had to catch up digitally — and fast,” documenting RecordTV’s national footprint, strategic modernization initiatives, and competitive position in Brazil’s broadcast market, demonstrating the network’s recognized industry standing and investment in large-scale operations

D.7. ANCINE communication, “ANCINE releases report on broadcast television programming,” describing federal monitoring/analysis of programming and identifying TV Record among major broadcasters covered by agency reporting, confirming Tv Record’s inclusion within Brazil’s principal broadcast ecosystem regulated and tracked by the national film and audiovisual agency

D.8. Media Ownership Monitor (Brazil) entry for Record TV, providing independent media research on ownership, audience, and market position, evidencing RecordTV’s reach, national influence, and status as a leading broadcaster of distinguished reputation

F.1. Letter from Felipe Pedras, Broadcast Professional (RP-13389) and VFX Assistant Coordinator at Mistika Post, dated July 10, 2025, citing commercial success and audience metrics for “Os Dez Mandamentos — O Filme,”, corroborating Mr. Camarte’s essential contribution to the productions’ commercial success as reflected in box office receipts and viewership

F.2. Letter from Anderson Sergio, Director of Photography and member of the Brazilian Society of Cinematography (ABC), dated July 15, 2025, attesting the success of “Os Dez Mandamentos,” which peaked above 27 Ibope points in São Paulo and was sold to more than 50 countries, and describing his leadership in lighting solutions that elevated the production’s artistic level and were later replicated, supporting that his work was essential to the productions’ commercial performance

F.3. Letter from Gustavo Dannemann, CEO of Gringa Filmes and Director of Photography, dated July 24, 2025, noting Mr. Camarte’s essential roles at “Os Dez Mandamentos” movie and emphasizing international reach and recognition, further evidencing his essential contributions to commercially successful productions

F.4. Box Office Mojo, Os Dez Mandamentos – O Filme (2016), Title Summary (accessed Oct. 27, 2025) (reporting Brazil gross of $29,753,454 and worldwide gross of $31,998,251, with additional grosses across Latin America and Portugal), demonstrating the production’s commercial success in the performing arts

F.5. Federal Cinema Agency (ANCINE), Table 5: Top 20 Grossing Rankings (2009–2016) and Table 6–7 (2016 rankings), showing “Os Dez Mandamentos – O Filme” with 11,305,479 admissions and R$116,833,027 gross; highest admissions in Brazil for 2016 and leading among Brazilian titles, published in OCA/ANCINE Observatório (data consolidated Mar. 6, 2017), excerpts in ANCINE TABLE.pdf., demonstrating the production’s commercial success in the performing arts as shown by box office receipt

F.6. ANCINE, Market Report: Distribution in Exhibition Halls - Annual Report 2016 (07/01/2016–04/01/2017), noting national box office records and identifying “Os Dez Mandamentos – O Filme” as the top ticket-seller of 2016 with 11.3 million spectators, published July 24, 2017, OCA/ANCINE, excerpts in informe_distribuicao_2016_0.pdf., demonstrating the production’s commercial success in the performing arts as shown by box office receipt

F.7. Online article O Globo, ‘Os Dez Mandamentos’ becomes the biggest box office hit in Brazilian cinema (Dec. 4, 2016), reporting 11.216 million tickets sold, surpassing ‘Tropa de Elite 2,’ and placing at the top of 2016’s box office), retrieved from https://oglobo.globo.com/cultura/filmes/os-dez-mandamentos-se-tornamaior-bilheteria-do-cinema-nacional-19067279, demonstrating the production commercial success.

F.8. Online article AdoroCinema, É recorde! Os Dez Mandamentos é o filme brasileiro com maior número de ingressos vendidos na história (Apr. 11, 2016), stating 11.2 million tickets sold, ranking no. 1 in Brazilian cinema ticket sales), retrieved from https://www.adorocinema.com/noticias/filmes/noticia-120632/, corroborating the movie’s comercial sucess in the performing arts

G.1. Letter from Rogério Wiltgen da Costa Guimarães, Director of Photography and Lighting Designer, dated July 26, 2025, attesting to Mr. Camarte’s leadership in transforming Rio de Janeiro Carnival float lighting to programmable LED/DMX systems with measurable gains, up to 40% faster setup, up to 80% energy savings, and 30–50% cost reductions, and noting sector-wide adoption of his methods, evidencing top-of-field recognition and critical technical-artistic impact

G.2. Letter from Prof. Rogério Cerqueira Silveira, Journalist (Reg. 13625–MTS) and Professor of Social Communication, dated July 22, 2025, describing Mr. Camarte’s role as Director of Photography for “Ateliê do Jornalismo,” leading visual identity and camera/lighting teams; detailing original documentary approaches and the resulting exhibitions, seminars, and peer adoption, evidencing critical roles and widely disseminated contributions

G.3. Online article Record Minas, “We took the face of Rio de Janeiro from the bath of Moses and Zipporah” (June 4, 2015), explaining the cinematographic and VFX work behind Rede Record’s The Ten Commandments scenes, highlighting the integration of raw footage, lighting, and digital post to achieve realism indicative of high technical standards within productions Mr. Camarte worked on, retrieved from https://www.recordminas.tv.br/plus/modulos/noticias/ler.php?cdnoticia=1119#:~:t ext=.

G.4. Brazilian Cinematography Association (ABC), Certificate of Membership for Leonardo dos Santos, certifying Mr. Camarte’s membership in ABC and bearing signatures of the Association’s President Carlos Pereira and Director Ana Corta, evidencing professional standing in the national cinematography guild

G.5. Brazilian Cinematography Association (ABC) statute, setting forth ABC’s purposes, organization, membership categories, ethics and governance, and criteria for use of the “ABC” credential, demonstrating the Association’s role as Brazil’s national professional body for cinematography)

G.6. Letter from Dinize Wales, Executive Director, Kind Hearts For You (Aug. 27, 2025), confirming that Mr. Leonardo dos Santos Camarte volunteered as a Media Volunteer, Photography and Videography, at the organization’s headquarters in San Jose, California, from Feb. 2020 through June 2023, performing professional photo and video production, editing, and event media coordination, thereby documenting sustained engagement in audiovisual work in the United States

G.7. Certificates for course participations in the film industry

G.8. Miscellaneous pictures of Mr. Camarte work and projects contributions

Leonardo's Birth certificate

Leonardo's passport

Visa - Leonardo

Marriage certificate

I-20

Bianca's Birth certificate

Bianca's passport